Tag Archives: Xbox Series X|S

Cloudbursting

I know it’s been ages since I’ve posted. I’ve been in a bit of a limbo when it comes to gaming for a while now, with several games I’ve been working through at a glacial pace that I really want to finish before moving on to anything new, all of which will be covered here once I complete them. For now though, let me tell you about a new toy of mine.

A few months back I got the itch to start looking at handheld PCs. I have a friend with a Legion Go and at least a couple with Steam Decks. In reality, I probably have very little actual use for one, and I have a history of regrettable purchases related to handheld consoles and the like. I simply don’t play them. Still, it was a fun hole to fall into: consuming innumerable videos, Reddit threads, and Steam Community posts on the subject, and spinning off into unexpected areas, like the vast array of cheap yet impressive emulation focused handhelds that have flooded the market in recent years. In the end, despite the numerous advantages of the Windows based handhelds, given the price, my 20 years of investment in Steam as a platform, store, and community, and various other (mostly minor) quality of life things, I was fairly settled on the Steam Deck OLED.

That said, the one thing that kept coming up was the other platform, store, and community I’ve invested heavily in over the years – Xbox. While I consider myself a PC gamer first and foremost, I also do a ton of console gaming as a means to get away from my PC for a while, relaxing on my couch in front of a nice, big TV. I mostly reserve console gaming for single player games, with more traditional PC genres like FPSes and strategy games, and lets not forget MMOs and other online games, being played on PC. That said, when it comes to my (massive) backlog, I intend to play a great deal of those games on Xbox. I already own many of them, for one, but I also somehow still hold the tiniest flickering flame of the once great torch I carried for building up my Xbox achievement score. One obvious solution was streaming from my Xbox to my Steam Deck over my local network. Could it be done? Well, absolutely! There are third party apps that can do it quite well, apparently.

“Playing Halo Infinite on My Stoop”

The more I thought about it, the more this became one of the most likely ways I’d use my Steam Deck and, frankly, it seemed a little overbuilt (and overpriced) for that purpose alone. I’d also read about how Xbox games wouldn’t use the full screen due to the Stream Deck’s odd 1280×800 resolution which got me thinking that the ideal would be a handheld with a 1080p screen so that The Xbox Series X (or PS5, for that matter) could stream to it full screen in their most commonly used resolution.

That’s when I ran into the Logitech G Cloud. Now, I’ve heard of this thing before. I’m sure it was mentioned on at least one of the gaming podcasts I regularly listen to because of their supposed partnership with Microsoft for the G Cloud to be something of an Xbox competitor to Sony’s first party solution to this problem, the PlayStation Portal. I’m not sure that’s quite how it ended up, but the more I learned about it, the more interested I became. Here’s a quick rundown:

Built and supported by Logitech, who are far more experienced with hardware and much more reputable than the majority of players in the space, outside of the major ones like Asus, Lenovo, and Valve, of course. Accordingly, it feels relatively high quality when it comes to build and materials.
The controls are quite good. The layout closely resembles the standard Xbox controller. The analog sticks are decent, the buttons and triggers feel good, it has a subtle but fully functional rumble, etc. Input lag is close to non-existent too. About the only complaints I’ve heard is that the D-pad leaves a bit to be desired, not being great at registering diagonals, and some people hate the deadzones in the analog sticks.
Additionally, the whole thing is very ergonomic. Most every reviewer mentioned how good it feels to hold. It’s also really light, which is an advantage none of the big boys have. You could definitely hold this thing above your head while laying in bed without giving yourself an unplanned arm workout, and that is one of the use cases I had in mind.
Another point of comparison that is often brought up is battery life, and the battery life of the G Cloud, being basically a glorified Android tablet, and one that is mostly streaming rather than running games locally, is stellar.
Being an Android device, it has a lot of flexibility in terms of available apps, customization, etc. Of course, Logitech provides a custom interface which simplifies and consolifies the whole thing somewhat too. One of the most likely use cases for a device like this, outside of streaming, is loading it up with emulators, and there’s quite a few available for Android. This thing might not be the most powerful handheld by any means, but it’s enough to emulate most consoles up to PS2 quite well.
As mentioned, while it’s not OLED, the screen is quite nice. 1080p native, relatively large at 7”, vibrant. It can also get bright enough to allow you to play outside on a sunny day.
The biggest negative is perhaps the price, which is typically $300. Given the price of handhelds, and Sony’s Portal being only $200, I think that’s a little high given its capabilities and intended use. That said, it regularly goes on sale for $250 or less, and finding them used is fairly easy as well.

I’d suggest TechDweeb’s video on the G Cloud for a better summary. The fact that a dude who probably literally owns every handheld available is so enthusiastic about this thing speaks volumes.

So, I got one! Being an iPhone and iPad user for ages now, it was a bit of a mindfuck setting up a new Android device, but beyond that, it was easy to get going. I tested out Microsoft’s Xbox streaming app, which worked fine, though it only runs at 720p. I also tested out Microsoft’s Cloud Gaming app, which worked far better than I’d have expected, despite also having a similar 720p limitation. Now, I honestly don’t have that much interest in cloud streaming, but given how well it works, I could see myself using it if I were on a relaxing vacation where I had a lot of downtime, assuming I had a good WiFi connection and an even better Internet connection, of course.

Finally, I bought myself XBXPlay from the Google Play store which is a third party take on the normal Xbox streaming app, but supports 1080p and has a lot more options for tweaking your experience. It works incredibly well. While it’s a bit of a bummer I had to go to a third party for a superior solution, I have no complaints. I can now play Xbox Series X (and all of the previous Xbox One, Xbox 360, and Xbox games it supports) while my SO is tying our main TV, in my bed when I just need to relax, or outside on my porch on a nice day. With the Xbox’s remote startup and shutdown, I could also open some ports in my firewall and stream remotely too, if I wanted to. Very cool.

Now, I haven’t dabbled with PC streaming at all yet, but in theory I should be able to get similar performance by using Steam Link or perhaps better yet, Moonlight + Sunshine. The truth is that I don’t have the same use-cases for PC streaming. Generally, if I want to play a PC game I just go on my PC, which is rarely tied up. I don’t play a lot of PC games using a controller; if I’m super compelled to use one, I’m probably just going to play the console version of the game. I’m sure one of these days I’ll have some reason to diving into it. I’d imagine getting an MMORPG to work on this thing could be fun, for instance.

“Metal Gear Ac!d, anyone?”

To expand a tiny bit on the subject of it being an Android device, as mentioned, it’s powerful enough for a lot of emulation, but it’s not up to the task of anything super intensive, like more demanding PS2, GameCube, or Vita games and beyond. It’s also not going to be able to smoothly play later, more demanding Android native games. Now, given this thing’s widescreen format combined with its apparently lacking d-pad, I can’t see myself emulating a lot of 8-bit and 16-bit classics on it either, even though it’s otherwise totally up to the task.

There’s a sweet spot that I found incredibly intriguing though – the Sony PlayStation Portable. The PSP had a 16:9 widescreen display and it had an analog stick (the infamous “nub”) as its main input, so it seems like a perfect match for the G Cloud. The G Cloud is also powerful enough to emulate it using the awesome Android PSP emulator, PPSSPP, being able to 4x upscale most games to its 1080p native resolution. I went from not being aware of or all that interested in many PSP games, to spending days on end cramming a 64 GB SD card with almost its entire library of games, and let me tell you, the PSP had a ton of interesting ports and genuine exclusives, especially to someone who has very little experience with the PlayStation ecosystem like me. Now, I honestly don’t know when I’ll actually get around to playing any PSP games, but this does at least mean I’ll be adding Metal Gear Acid and Acid 2, along with MGS: Portable Ops to my upcoming Metal Gear retrospective playthrough.

In conclusion, success! My original Xbox local streaming use-case seems to have been thoroughly satisfied, and the bonus use-case of opening up a whole new world of games with a high quality PSP emulation experience is also a total win. That said, I should mention that there are indeed other competitors in this space (Android handhelds with similar form factors) such as the Ayn Odin and Odin 2, the Anbernic RG556, and the Retroid Pocket RP4. Some of them are much cheaper, and some of them even more expensive, but more powerful. While I’m happy with my G Cloud for now, this is a space I’m going to keep an eye on for the future… you know, unless I just end up buying a Steam Deck. 😉

Deep Ones, Repetition, and Divorce

While there have been posts about other games hidden amongst the deluge of Halo Fest 2020 related content here, I’ve actually played a lot of other things I’ve yet to post about. Here’s a quick catch-up of random things I’ve actually finished, with several others coming in future posts when I eventually wrapped them up.

“In the midnight hour though, I have as many friends as I like.” – Online Gamer”

First up is The Infectious Madness of Doctor Dekker. I’ve had most of Wales Interactive’s more notable FMV games on my wishlist ever since playing Late Shift. Doctor Dekker, however, is something a bit different from my first foray into modern FMV games. While Late Shift is very cinematic, playing something like an interactive movie, Doctor Dekker mostly consists of very short clips, almost always focusing on a single subject from a static first person perspective. This works well with the premise of the game, as you’re supposed to be a psychiatrist interviewing various patients in your office. A patient sits on your couch. You ask a question, and you get an answer. Simple.

Mechanically, just choosing questions from a dialog tree might be a little too simplistic to be entertaining, and Doctor Dekker attempts to solve this by having the player freely type their questions. Or, at least, it does in the PC version. You see, I played this on my Xbox Series X, and from what I understand the console versions of Doctor Dekker largely dumb this feature down, allowing you to select most of the more obvious questions and follow-up questions from a list. This works… okay. In fact, what I took issue with was when the game indicated that there was more to learn without showing me any new questions, meaning I was forced to type one in. Call me spoiled by 40 year old text adventure games, but man, this game’s text parser is hot garbage. I’d ask very obvious questions, even some I was absolutely positive were follow-ups to previous answers, yet 9 out of 10 times I’d get back a short FMV sequence equivalent to “huh?!” Still, other times I might get a wildly random response that didn’t seem related to what I asked at all. It seems like it’s looking for a limited number of keywords and keyword combinations rather than understanding grammar or at least having a massive list of acceptable synonyms. I also strongly suspect there was some degree of intention behind having us play “guess the keyword” as something of a puzzle. Regardless, fighting a bad parser is never fun.

“Interviewing the ever popular Marianna.”

While the format is a little limited, there’s a larger murder mystery plot with some (not at all subtle) shades of Cthulhu mythos, including a very minimal insanity system, all unraveled by questioning these patients to learn more about their backgrounds, their relationships with the victim, and ultimately investigating if they, or another of your patients, might be the killer. The actors were mostly pretty good, or at the very least fun to watch as you get to know what are ultimately all pretty wacky characters. The way the story unfolds day by day also did a good job of stringing me along as I learned more. The ending was a little unsatisfying, in that there seemed to be multiple equally viable candidates for who the killer could be, and it felt like the game simply picked one of them at random to be valid for this playthrough. That said, doing a little reading, it does seem that there can be a decent amount of deviation for each patient depending on how you choose to answer certain questions they ask of you along the way. Neat.

Overall, I definitely didn’t find The Infectious Madness of Doctor Dekker to be as enjoyable as Late Shift, but I certainly didn’t find it objectionable enough to steer me away from checking out other similar games in the future.

Moving on, I picked up Warhammer 40,000: Darktide on PC at its launch. For those that don’t know, Darktide is something of a sequel to the two Warhammer: Vermintide games. Being based in the far flung grim-dark universe of Warhammer 40k versus the high fantasy world of Warhammer Fantasy, it still follows Vermantide’s Left 4 Dead influenced style of character/class-based cooperative action. While there are a ton of systemic differences, both minuscule and quite large, I feel like comparing it to Left 4 Dead alone does a pretty accurate job of summing up the gameplay of these titles.

“My Orgryn Thudd and his beloved Ripper.”

I haven’t played a lot of cooperative games like this outside of playing L4D with friends way back in the day, and despite being a huge Warhammer fan, I’ve yet to play either of the Vermintide games since it seems most of my gaming friends have moved on from the genre. Playing Darktide with randoms is incredibly easy though, and I found people purposely being assholes, trolling, or otherwise not playing the game properly to be quite rare. Of course, teamwork with a bunch of random people, usually without voice communications, is nowhere near as fun, but I found it to be enjoyable enough. Perhaps my favorite part of Darktide though, was simply how amazing of a job Fatshark did with representing the gritty violence of the Warhammer 40,000 setting in first person. It’s a great looking game absolutely bursting with atmosphere. The classes are all pretty fun, as is customizing and upgrading your characters.

That all said, I found the gameplay loop to get a little repetitive. Progression is reasonably fast, but still, slogging through the same (or very similar) oppressive feeling maps over and over again feels a bit too much like a treadmill. I might have stuck with it if I were playing with friends, and while I ultimately still like the game, I put it down after only around 15 hours of playtime. Perhaps I’ll return if I see some compelling updates though.

“Spoilers: She dies.”

Speaking of grinds, I briefly returned to Destiny 2 (PC) late last year, just long enough to catch up from where I left off, and finally played through The Witch Queen campaign. I had a great time as usual, but the start of my burn out just happened to coincide with the announcement of the Lightfall expansion, which didn’t look too appealing to me for numerous admittedly petty reasons. From the current community backlash, perhaps I dodged a bullet?

Another repetitive online FPS that I bounced off of recently was Meet Your Maker. How do I describe Meet Your Maker? Hmm. Well, imagine a very Quake 1+2 influenced FPS (in terms of visuals, some of the enemy and weapon designs, and having a sweet grappling hook which my brain will apparently always associate with old Quake mods) in which you “raid” random procedurally designed dungeons / bases (called outputs) filled with enemies and traps. Your goal is to make it deep into the outpost, grab the loot stash therein, and then make your way back out alive (which is easier said than done, since some new monsters and traps might show up after you nab said loot.) The loot you gain from these raids can be used to upgrade your character, weapons, etc.

“With only one shot left, I better not miss.”

Now imagine that these dungeon base things aren’t actually procedurally generated, but designed and constructed by other players, using some of the loot from their own raids to add and upgrade more traps and enemies, expand and redesign their outpost, and build secondary outposts, and of course, you can do the same. I personally love the idea of these sort of dueling asymmetrical gameplay systems, and I’m always down for systems where players can get creative by adding their own content to the world (providing they’re not abused too much.) Building your own outpost maps, while understandably a little limited, is pretty fun, but watching replays of other players raid my outposts and navigate my traps? Amazingly entertaining! I don’t think of myself as a cruel or particularly vindictive person, but Meet Your Maker had me practically falling out of my chair, literally laughing out loud on more than one occasion after watching some hapless player wander into a particularly diabolical trap. Pure, albeit slightly evil, joy.

Personally, I always tried to make my outposts some degree of “fair” and I feel like others do as well, though when raiding you do occasionally wander into a outpost that was designed to be almost impossible, making them painstakingly slow to navigate through. Raiding in Meet Your Maker tends to lead to a uniquely cautious approach to exploration and navigation anyway, at least until you learn a lot of the more common tricks players use and how to deal with them, so if you make your outpost too stupid most players will probably just bail on it after a few deaths. I tend to get obsessed with conquering them though. Back at the hub area, which is something of a diegetic, in-game world menu, you get a taste of the fiction around all of this, which I actually found pretty interesting. Just as with Darktide though, it’s largely just set dressing to make the grind of the gameplay a bit easier to swallow and as far as I can tell there’s nothing in the way of a plot to advance through.

“A fav, vertical shaft with multiple traps at each end. No one can resist a shortcut!”

I really love the game, but after 25 hours or so, that grind is ultimately why I’m not still playing Meet Your Maker. The resource requirements to upgrade your character and particularly to keep your outposts up and running seem far too punitive, even if you really enjoy the raiding gameplay. Even ignoring that, just like Darktide, the gameplay is definitely repetitive, so some degree of burnout is bound to happen. I will surely return to it in the future, though I’m afraid its player count might have dwindled precipitously by then, which would be a huge problem for a game so heavily dependent on player made content. A game with a strikingly similar design, The Mighty Quest for Epic Loot, had the same struggles, and was shuttered before ultimately being reworked into an almost entirely different game, leaving the hardcore fans of the original feeling totally abandoned by Ubisoft. I hope Meet Your Maker has a better fate.

And now for something completely different… *desk blows up*

It Takes Two was a hot topic on some of my favorite gaming podcasts, and coming from Josef Fares and the rest of the team that brought us the impressive A Way Out, it was an easy addition to my backlog. Somehow my partner also found out about it and wanted to play it just as much as I did. Definitely a good omen for a cooperative game, no? Like A Way Out, It Takes Two is a dedicated co-op game (I mean, hell, it’s in the name!) and has been designed from the ground up to be played that way, either split screen or online, and generously even offers a free pass for the latter scenario, meaning only one of the two players has to own the game. Awesome.

“Your tormentor, Dr. Hakim.”

The two players fill the shoes of Cody and May, a husband and wife in the midst of a divorce who are magic’d into their daughter’s weird little toy doll versions of themselves. They need to work together to escape the terrifying Honey, I Shrunk the Kids-esque massively scaled version of the world and break their daughter’s evil curse, all while being taunted mercilessly by Dr. Hakim, an anthropomorphized relationship advice book. While I’m being slightly hyperbolic here, that’s about the gist of it.

You can probably already guess that by working together, the couple will slowly rediscover their feelings for each other and end up reunited, and while that’s how it goes down on paper, I don’t think their reconciliation is quite as smooth in the game itself. That is, there were tons of opportunities to show Cody and May growing closer, dealing with old wounds, rekindling passions, etc. but I don’t feel like it does a great job of presenting this gradual process. Instead, there are moments, specific lines of dialog, etc. that relay some of this, but you don’t really see the characters progress all that much. Despite this, the game ends as predicted and (sarcastic spoiler warning) the family ends up sticking it out and living happily ever after. While sweet and all, the game did actually do a pretty good job at showing us that the couple has some major compatibility issues and that maybe their divorce was actually warranted. Oh well!

I’m being pretty critical here, because that might be my only real complaint about the entire game, and it’s not even that notable. Honestly, the story could just be a total contrivance to set up the game, and while there were some interesting, even slightly emotional narrative moments, it largely takes a backseat to the incredibly fun gameplay. Unless you utterly hate the story or the characters, I don’t think this is likely to factor heavily into your enjoyment of the game.

“Classic co-op action, with one player flying and one gunning.”

As far for that gameplay, It Takes Two fits the classic 3D platformer mold pretty cleanly. I don’t even think I remember the last one of those I played, but as an Nintendo 64 owner in the 90s, trust me when I say I’ve played my share of them. The genre has always been a mixed bag for me. Light narratives featuring wacky characters, with some puzzle solving, exploration, and adventure? All pretty fun stuff. Difficult platforming, however, can be extremely frustrating to me, and lots of it? Tedious. No worries though, as the basic mechanics of It Takes Two are great. It’s smooth, responsive, and just the right level of forgiving. That’s not to say there aren’t some potentially challenging moments, and I was worried that my partner might have difficulty as, while she plays plenty of games, platformers aren’t really her wheelhouse, but there were few if any moments in the game where she struggled. It’s all fairly intuitive, and always being able to figure things out with another person further helps this (which I suppose is appropriately meta.)

The game isn’t all just jumping around though. Many of the puzzles and other obstacles to navigating the world rely on some pretty clever mechanics, and It Takes Two takes the unusual approach of adding new ones and mixing up or replacing old ones constantly. In fact, the major stages and numerous smaller sections of the game have their own set of puzzle solving and/or navigation mechanics, from things like grinding on rails, riding on creatures and objects, to shrinking yourself and reversing time. Cody and May usually have their own distinct sets of abilities on each stage too, and they can typically be combined. For example, in one area early on, Cody gets the ability to shoot sticky sap which damages and slows certain enemies, and can be used to hold or weigh down objects. May gets the ability to shoot an incendiary projectile, which she can use for pinpoint shots, but more importantly, causes Cody’s sap to violently explode. These abilities need to be used both separately and in-conjunction in a variety of creative ways. Even if one of these mechanics doesn’t gel with you, it’s not usually long before you’re onto something else, which given the game’s length, clocking it at somewhere around 14 hours, is definitely a good thing.

“Using their special magnets, one player has to push the door open while the other has to pull it.”

In addition to the variety of mechanics, there’s also something like 25 minigames hidden throughout the stages. These minigames really just serve as a bit of a fun distraction, further breaking up the gameplay and interrupting the cooperation with some brief moments of head to head competition. Once you find a minigame it unlocks it to be played from the main menu any time you want, too. Sure, not all of them are amazing, but my biggest complaint about the minigames is that some of them are a little too hidden, and missing out on one entirely just because you didn’t happen to stumble across it is definitely a bit of a bummer. I think we missed several during our playthrough, actually.

I’ve used the word “variety” several times now, and the aesthetics of the different stages and sub areas of the game are equally as diverse. Honestly, the entire game looks absolutely fantastic; stylized just enough, featuring great animation across the board, and all running silky smooth on my Series X to boot. Voice acting (and the writing) of individual lines is great too, as are the sound effects. It’s one of those great games that feels almost like a AAA title while it clearly wasn’t one. I honestly think we need a lot more of those; there seems like there’s plenty of fertile middle ground between tiny indie projects and massive, big budget AAA hits for games with good budgets and talented teams to be able to produce quality titles with modest sales goals (which, indubitably, will occasionally be shattered.) It Takes Two is a fine example of this, winning several GOTY awards and apparently selling over 10 million copies so far.

Anyway, off my soapbox for now. It Takes Two might just be one of the best co-op games ever created, and it should be on literally everyone who enjoys even the occasional co-op experience’s list. How’s that for a summary?

Screenshots from Doctor Dekker and It Takes Two swiped from Steam Community posts because I forgot to take my own. Ooops.

Save or Die!

As a little kid I became obsessed with skateboarding thanks to my best friend’s skater older brother, who we both thought was so cool. As it goes, my friend and I spent far more time flicking through Thrasher and Transworld Skateboarding, doodling halfpipe filled skatepark plans, and pining for half of the awesome gear in the latest California Cheap Skates catalog than actually skating. Regardless, I think there was something about the whole culture that appealed to the nascent misfit rebel in me. Beyond magazines and catalogs, there were a few other outlets for wanna-be skaters. While you could only watch Christian Slater Gleam the Cube so many times, a game like Skate or Die on the NES could be played over and over again… and I did! The disappointing Skate or Die 2 was one of the only Nintendo games I talked my parents into buying me at release, in fact.

“Man, I love this new moody version of Burnside!”

In my teenage years I got into punk rock something serious, and given the association, picked up skateboarding again. Nowhere near as physically coordinated as I was as a kid, and a lot more risk averse at that, I didn’t have any luck with continuing where I had left off, but I did discover a whole new joy of skateboarding – being alone with my thoughts while trying a trick I barely understood how to do over and over again in some empty parking lot somewhere. A useful release during some pretty stressful years. Of course, I still pined over CCS catalogs, but now I could actually afford some of the stuff in them. At around the same time I had developed something of a summer vacation ritual of bingeing on the X Games late at night. Then, to complete the circle, Tony Hawk’s Pro Skater dropped. The 90s were a hell of a time!

Or should I say 2000s, because while THPS had a reputation of being more of a PlayStation-centric series at first, it was ported all over the place, and I, being a Nintendo 64 devotee at the time, had to settle for that inferior version. That’s not to say it sucked though – the core of THPS was absolutely intact, and although the fog plague every locale (in more wide open areas) and the soundtrack was fucking butchered, it was totally serviceable for us schlubs with no alternates. While I have fond memories of jamming out to the awesome soundtrack (that very much aligned with my musical tastes) and struggling through that original selection of levels, I can’t tell you exactly how much of the game I played. I mean, I vaguely recall completing all of the challenges on all of the maps, but who knows?

“Falling from great height (with style that is) in San Francisco.”

I have a lot more scattered memories of the series from then on – hanging out in more than one “punk house” watching friends get high and pass the PlayStation controller around playing THPS 2 and THPS 3, feeling deeply disappointed that I couldn’t play an apparently improperly burned copy of THPS 2 on my Dreamcast, that kind of thing. It wasn’t until I dove back in with Tony Hawk’s Underground on my original Xbox that I spent any quality time on a Tony Hawk game again. THUG was pretty fun, though I don’t remember vegging out on it nearly as deeply as I did with the very first game back on my Nintendo 64. That nostalgia is why I was curious about the remaster “Tony Hawk’s Pro Skater HD” which hit XBLA back in 2012, but as I wrote in this blog at the time, while it looked pretty nice, it just didn’t click with me. While I’d been tempted to check out other Tony Hawk’s titles, along with other challengers to the throne such as EA’s lauded Skate series, that was about it for me. That was, until I heard about all of the hype around this second attempt at a Tony Hawk’s Pro Skater remaster. This time with the added addition of THPS 2 levels and even some enhancements from later titles in the series. What can I say, I’m a sucker for some good, genuine hype.

And I’m happy to report that this time around the hype was real and Vicarious Visions’ remaster was a lot more successful than Robomodo had been with Tony Hawk’s Pro Skater HD. As soon as I hit The Warehouse, just like riding a bike, I was back in my parent’s living room grinding through the goal list, only with the added benefit of not having to use a fucking N64 controller. While it took more than a little practice to be able to meet those “sick score” goals, the game just immediately felt good. Real good. Of course, it only helps that the remade visuals the game received looked great as well, with obvious effort being placed into staying reasonably faithful to the originals and with a masterful attention to detail. The classic soundtracks of THPS and THPS 2 were mostly intact too, with only a few casualties, plus a heaping helping of new tracks that mostly fit in well to give the whole thing some expanded variety.

“I love customizing my weird THPS doppelganger with sick 80s gear.”

The made over visuals and expanded soundtrack are far from the only differences though. Most importantly, the trick selection has been greatly expanded. This is most notable when it comes to the additions of manuals from THPS 2 and reverts from THPS 3, which, especially when combined, allow for some insanely ridiculous combo score multipliers. Unless you’re just a natural at the game, learning to use and abuse both moves is invaluable to earning high scores. There’s plenty more too, like new goals for each map, changes to the way “tour” level progression works, the pro skaters/create-a-skater mode and the skate shop. It goes on and on, but again, Vicarious Visions did a good job respecting the original games, and that’s probably what ultimately makes Tony Hawk’s Pro Skater 1+2 so successful.

I was about half way through the original THPS tour; I had still had a few levels to unlock, most pro and sick scores were alluding me, as was anything above a bronze medal in competitions and a few of the more challenging goals, when something finally clicked. I got fully into the zone for chaining together some combos and thus spent the next week and a half or so cramming in as many sessions of THPS 1+2 as I could while I methodically went through and destroyed all of my remaining goals. When I finally beat the last one I was disappointed that the associated achievement (“Grand Tourer”) didn’t unlock. Figuring that maybe it was the one stat point I hadn’t collected yet, I dutifully went for it and… still nothing! I thought maybe it was some kind of an odd save game synchronization issue so I quit my tour and then quit out of the game. Upon loading it back up the game seemed to sit on the save synchronization screen for quite awhile, and then… my tour progress was back to 47% from 100%. Fuck! Randomly the next day my Xbox App reported that I’d earned the achievement so, hoping that Microsoft was having some kind of a weird server issue, I rushed to my Xbox to see if my progress was restored. Nope. I’m still not sure if it was a THPS 1+2 bug, a cloud save issue, or perhaps something to do with the Series X’s quick resume, but in any case I was fucking furious. Cyco Vision indeed.

“Skate or Die… and go to Skate Heaven!”

It’s funny that one of the reasons I queued up THPS 1+2 was because I wanted another casual game I could hop in and out of randomly as I’d been doing with Star Wars: Squadrons, but my god did I forget what a vicious hold this game can take over you. Beating both tours became an obsession. The fact that I had that save problem and didn’t immediately bail out of pure frustration speaks pretty highly to that, I think. Some of the goals are far from easy, they might even be a little rage inducing (the rooftop gaps on Downtown and the hidden tape on Streets come to mind) but it’s far from an insurmountable challenge, and soon I found myself having cleared all levels with gold medals in all of the competitions in both tours, and it all somehow felt absolutely worth it.

What can I really say that can top that? If you’re a fan of any of the original Tony Hawk’s Pro Skater games or you’re simply into skateboarding and want to play something a little different, definitely check this one out… but just to be on the safe side, you might want to get into the habit of manually saving your career (it’s hidden under the options menu, oddly) to help reduce to risk of throwing your controller through your TV like I almost did.

I got distracted while writing this and ended up watching reviews of the old Skate or Die games and clips from the old CKY videos for an entire evening. This in turn lead me to spending the weeks after watching tons of 80s and 90s skate videos and interviews with famous pros, and really, just generally fondly reminiscing about my love of skateboarding more than I have in something like 20 years. Thanks, THPS!