Category Archives: Game Logs

Mecha Zombies!

As soon as I heard about Iron Brigade (called “Trenched” at the time) I absolutely knew I had to play it. Not only was I already a fan of the humor and fun stylized aesthetics that Double Fine tends to inject into their games but I’ve been a fan of the whole hybrid tower defense / action hybrid genre for quite a while now (as I’m sure I’ve thoroughly documented here with games like Toy Soldiers and Orcs Must Die!.) The fact that the action component looked a bit like the MechAssault franchise and that whole thing was wrapped in a wacky alternate history World War I setting to boot? Sign me the fuck up!

“Shooting some Tubes on the beach.”

So, there it sat, doomed to my backlog forever. I guess the waiting has finally paid off though as when I signed up to Xbox Game Pass there it was, waiting for me to play for sorta-free. Waiting 8 years to save 15 bucks? Seems like a reasonable strategy to me! 😉 Well, at least I didn’t buy it and then let it languish in my backlog like I do with most of the games I’m interested in. Anyway, the time was right to blow through a quick game so I rolled up my sleeves, hopped in my “mobile trench” and set off to blow some Tubes into smithereens.

As billed, the relatively simple action feels a lot like that of MechAssault; somewhere between the huge, slow mechs of MechWarrior and the relatively frantic action of something like, say, Armored Core. You move and look with the analog sticks while each trigger handles the weapons and equipment installed on each side of your mech. Your equipment can vary, as your mech can be customized with a huge array of different specialized parts, weapons, and paint jobs, all of which is slowly acquired in a sort of light version of the loot systems popularized by action RPGs and MMOs. While the customization itself pales in comparison to something like Chromehounds, I still found experimenting with different builds and loadouts to be quite a fun element of the game. Loading up a heavy chassis with a 6 heavy machine guns, or dual huge, heavy cannons is fantastic, and some of the steampunk inspired tech is ridiculously cool.

“Customizing our mech… err, I mean Mobile Trench.”

The rest of (and the bulk of) the gameplay is total, classic tower assault. Using the same third person perspective, you can place emplacements (turrets/towers) anywhere on the map limited only to the amount scrap you collect from enemies you kill. While there is a respectable variety of emplacements, the game only allows you to carry a certain number of certain categories of each one depending on the chassis of your mech, adding a touch more variety to the whole customization aspect beyond just what weapons you have installed. Of course there are a variety of enemies that demand variation in weapon and turret strategy, changing with each new map, and how efficient you need to be to get the rating you’re after

About the only negative I can attribute to Iron Brigade would be the story and the enemy design, which both feel kind of quick and throwaway. I mean, the Tubes are certainly unique, but I don’t find them to be all that cool. Eh, this is a relatively minor complaint though, as these elements certainly work well enough in service to the gameplay and the overall conceit.

“Emplacements absolutely everywhere, as it should be!”

I feel like there’s a lot more I could say about the game, so I’ll just wrap this up with a couple of things. First, for an early entry into Double Fine’s efforts to shift to smaller, lower budget titles, the team developing Iron Brigade put quite a lot into it and you can tell they had to practically restrain themselves for adding even more. The second thing is that funnily, this being a quick playthrough didn’t really go according to plan. You see, I LOVED Iron Brigade so damn much that I decided to keep playing until I achieved a gold rating on every single mission, taking quite a bit more dedication than a quick run through would have. I even ended up buying the game’s single expansion pack “Rise of the Martian Bear” which I’ll give a quick review of in a future update.

Oh, and if all of that wasn’t enough on its own, I also totally forgot to mention that the game also features something of an Horde-like Survival gameplay mode, and both it and the campaign support co-op with up to 3 other players so that you can actually show off your customizations. I never got around to trying either, but I can only imagine how fun this game must be to play cooperatively. Awesome.

You can download Iron Brigade for Xbox 360 (which runs flawlessly on Xbox One) as well as on PC. If you’re into tower defense and big, stompy robots, definitely check this one out.

“Back on the road!”

I also returned to Telltale’s The Walking Dead series. I ended my last article about Telltale with the semi-optimistic news that all three of the games I discussed had planned sequels in the works for 2018 and 2019, with the first one of those on the list being the finale to The Walking Dead series. Well…

*deep breath*

A hell of a lot has happened since then, hasn’t it? The first episode of The Walking Dead: The Final Season was released in August 2018 to favorable reviews, with the second episode slated for release in late September. Just days before it was to be released Telltale announced they were closing down, immediately laying off most of their staff and killing their in-development and upcoming releases. While they did end up releasing that second episode, with two more episodes to go, it seemed like the series wouldn’t actually receive its finale after all.

Rumors swirled about other companies offering ex-employees jobs, or potentially attempting to pick up The Walking Dead or some of Telltale’s other titles, but it was actually Robert Kirkman’s own Skybound Games that stepped in and negotiated finishing the remaining two episodes, hiring a number Telltale’s former staff on a contract basis to see the season to completion. I’ve got mixed feelings about whether or not it was right to prioritize finishing the game over taking care of the employees who lost their jobs in more substantial ways, or if I should continue to support Telltale with my money, but nevertheless I’m selfishly thankful, as once the fourth and final episode was released and the reviews looked decent, I bought the entire season and my girlfriend and I cautiously jumped in.

“Keeping AJ in line is damn stressful work.”

Almost immediately we were totally engrossed. Taking place several years after the events of A New Frontier, you’re finally back in (a now teenage) Clementine’s shoes, wandering the desolate South with a much older AJ. The change in the character dynamic alone is massive, with Clementine coming across as more and more mature and AJ now a fully fleshed-out character. AJ is by far the more interesting of the two, being raised post zombie-apocalypse, he has his share of childhood trauma induced behavioral issues (to put it in a super generalized, spoiler free way.)

While the gameplay doesn’t stray from the typical post-TWD Telltale formula, The Final Season starts out very strong with a great sense of being able to drastically affect the story with your choices. Telltale fans know by now that this is absolutely essential to keeping the player from feeling somehow “cheated” by choices that ultimately have little real consequence. In fact, I found struggling with making decisions in this season to be particularly intense, especially when it came to those choices that directly related to influencing the young, impressionable AJ. We always felt like we were somehow making the wrong decision and oftentimes we were despite our best attempts to do the right thing. Very effective.

“Many new characters join the cast for the finale.”

As with A New Frontier, the new engine and updated art style are running smooth and looking great. There were some great set pieces this time around, and as usual the voice acting was mostly stellar. Playing the Xbox One version (on a normal Xbox One S) the only real complaint I can leverage is that load times between scenes were much longer than I remembered from any previous Telltale games. I’m really not sure what is up with that, as from a quick glance around the ‘Net it doesn’t seem to be a common complaint. The final two episodes, the ones finished by Skybound, fair slightly worse overall though – it seems like they didn’t quite get as much polish, with noticeably more performance hiccups and glitches. Given how they were developed this is completely understandable.

I had some similar issues with the game’s action scenes which were more palatable in the early episodes and felt more sloppily implemented in the later ones. Even the checkpoints were placed less generously in the last two episodes, and that only served to make those action sections that much more frustrating. Again, this is almost certainly because of the accelerated and probably relatively chaotic development under Skybound resulting in less playtesting and refinement. These issues didn’t ruin the experience for me by any means though they are worth noting given the unusual circumstance.

“The Whisperers also make an appearance.”

I’d certainly rank The Final Season above A New Frontier, and I enjoyed that one more than most people so that’s not meant to be faint praise. More importantly, I’m happy that the series didn’t get unceremoniously axed half way through its finale which could have easily happened. Instead, it felt like the series got an appropriate sendoff and given how many people have loved the series, whether they bailed after the first season or made it all the way through the finale, and how influential this new style of adventure game has been, I’d say that’s a pretty big deal. It’s not entirely surprising that Skybound was able to help wrap up the season as one of the more spectacular things about the series is how strong it’s been start to finish despite many of the key players changing over the years. I mean, I was skeptical about Season 2 after finding out that Sean Vanaman and Jake Rodkin had left and it turned out to be my favorite season.

In summary, if you’re a fan of the series than it’s an absolute no-brainer: play this! If you had your fill after a couple seasons, or the Telltale formula wore out its welcome on you, then it’s probably not worth coming back for this one last hurrah as it’s unlikely to change your opinion.

As usual, what should Xbox 360 and Xbox One screenshots are PC screenshots borrowed liberally from various places on the Internet.

Ruffian

Over 10 years after my interest was first piqued by it, I finally loaded up Bully: Scholarship Edition for Xbox 360. While yet another GTA 3 style open world game, I thought the unique tone of Bully would offer me a nice change from what I’d been playing lately. After researching it a little, I decided to play it using Xbox One’s backwards compatibility which I’m happy to report worked great, suffering no performance issues and only a single freeze up (which was likely unrelated to backwards compatibility, though who really knows.) Anyway, on to Bullworth Academy!

“Our hero, Jimmy Hopkins. (Yeah, don’t ask!)”

As a fan of the Grand Theft Auto franchise, Bully is an interesting title. Coming out between GTA: San Andreas and GTA IV, it runs on the same RenderWare based engine as the GTA 3 series and definitely shares a lot of its design aesthetics as well, from the wacky character designs to the loading screen artwork and even the UI. In fact, having been a while since I’ve played any of the three games in the GTA 3 series, I was taken aback by the familiarity of being back in that engine again. Even keeping in mind that the Scholarship Edition is a remastered version of the original Bully from the end of the previous generation, it was a bit like stepping into a time machine, despite being a totally different game.

Gameplay-wise, it’s obviously a different coat of paint on the same old GTA 3 formula. While there’s a valiant attempt to change its scope a bit by focusing more on smaller areas and more on-foot interaction, the structure of the storytelling, the missions, etc. are all pure GTA 3. I recall more than one person referring to Bully as “Grand Theft Auto: Schoolyard” or something similar back in the day, and that doesn’t feel too off the mark, honestly. Sure, you might be running around on foot, or riding a BMX or a skateboard around the relatively small town of Bullworth instead of stealing sports cars and gunning it through the streets of Vice City, and of course you’re giving wedgies instead of mowing down your enemies in a hail of sub-machine gun fire, but it is GTA 3.

“Welcome to Bullworth Academy! It only gets worse from here…”

Therein lies the charm of Bully, though – by taking the parody heavy humor and oddly jaded worldview of Grand Theft Auto and moving it into the much smaller world of private school drama, the game manages to capture a lot of the real (and much more so, totally fictional) nostalgia of growing up, all with a wink and a nod that feels very, very Rockstar. This really is Bully’s main strength and what sets it apart from GTA, and likely why many people rank it above any of the GTA games. Maybe if I had played it back when it was released I’d feel the same way. I did enjoy the game, overall, but I can’t say I absolutely loved it or anything. My issues?

Well, first of all, as mentioned, the gameplay and mission design is absolute GTA, but this is pre-GTA IV GTA, meaning many of the mechanical improvements that occurred throughout the development of the franchise are either absent or in a very early form here. Most notably, the inability to quickly retry a failed mission drove me just a little crazy the handful of times I failed a mission. What can I say, I suppose I’ve been spoiled by more modern, friendly game design…

“The load screens also get the GTA 3 treatment.”

Then we have the whole “school day” structure. At first I found this to be an interesting and even appealing mechanical twist, but after hours having to keep an eye on the clock to make it to classes, having to take note of the nightly curfew, having to devote half of my day to attempting to pass classes, and of course, having to sleep, it felt more restrictive than anything else, and it did nothing to help the feeling of repetition already present in the GTA mission formula. I guess feeling limited by school hours and a curfew, and the repetitiveness of school life, are quite accurate to the experience of being a high school kid, but it’s not exactly fun (again, like being a high school kid.) I also found the mini-games that represent each class largely more interesting of a concept than in reality, sadly.

Another difference from the proper Grand Theft Auto games that I found to be a negative was the soundtrack. I had noticed at some point during my playthrough that the lack of GTA 3’s awesome radio stations was noticeably detracting from the experience but when I went online to see if others had similar complaints I discovered that Bully’s soundtrack seems to be almost universally lauded. Some of the tracks are kind of neat, sure, and it’s definitely unique, but largely I found most of the songs on the original soundtrack to be a little simple, overly repetitive, and often didn’t quite fit the tone of the game. I guess I’m alone on this point?

“Well of course there’s racing!”

I also had some issues with the story. I appreciate how concise it is, that was one of the selling points to me in fact, but it felt like there might have been some missions and cutscenes left on the cutting room floor. In the fifth and final chapter Jimmy’s attempts to win over (and thereby take over) the school have progressed very nicely resulting in Jimmy ending up on top. There’s a major tonal shift, as all of the sudden everyone loves him and everything is going according to plan. Suddenly, in the blink of an eye, everyone hates him. Like, really hates him. I almost got whiplash from that alone, but some of it can be explained away easily enough by pinning it on Gary manipulating everyone and general resentment from your peers, but then who the hell are the townies and why are they going through such extreme efforts to screw with Jimmy? Surely the original version of the script had several more missions, or maybe even another entire chapter or so to flesh this transition out. Maybe I’m blowing this particular issue out of proportion as I found only a few people discussing this issue online, but it really stuck out to me regardless.

“Gym class!”

Admittedly this is all a bit nitpicky. Overall, I’d say if the idea of a nostalgic journey back to the mid 2000s era of GTA appeals to you (or if you can stomach, at least) and you like the idea of playing a mostly likable teenage troublemaker raising hell in a stuffy private school, it’s likely you’ll enjoy the experience. I certainly did even if it did fall a bit short of my expectations.

All screenshots stolen from users on the Steam Community, which means they’re obviously from the PC version rather than the Xbox 360 version. Close enough!

Buried in Sand, Hand in Hand

Another long overdue update!

Having burnt myself out on PlayerUnknown’s Battlegrounds and still yearning for a relatively tactical FPS on PC that I might be able to recruit some of my friends into playing, I had caught wind of Insurgency: Sandstorm. I played the original version of Insurgency a fair bit when it was still a Source mod and really enjoyed the combination of tactical squad combat and its brutally (if not totally unrealistic) pin-point accurate ballistics model. Insurgency turned into a standalone retail product at some point but I never got around to trying that version, though it was fairly well received. Insurgency: Sandstorm is its long awaited sequel. Watching a trailer and some preview coverage on YouTube it really looked like it was shaping up to be something amazing; the type of shooter that the grognards who still cherish a return to the days of the original Ghost Recon might go all in on, and as such it’s been on my watch list for quite a while now.

“Sloppily bounding towards our objective.”

This, unfortunately, might be one of those cases of something looking notably better when viewed from afar. Entering its final early access beta, I eagerly bought Sandstorm and jumped in to play some bot matches and was immediately shocked by how janky it’s previously slick looking gameplay actually felt and, if I’m totally honest, how ugly it looked in action (mostly the character models and animations) relative to the beautiful preview footage I had seen. After playing a few matches I started to enjoy the weighty feeling movement and the deadliness of the combat, being quite a departure from any of the other FPSes I’d been playing recently and something I’d dearly missed since the good old days of America’s Army 3. Still, knowing that there was no damn way I could successfully convince any of my friends that this didn’t, in fact, totally suck, I ended up quickly uninstalling the game and considering pursuing a refund.

This was just before launch, back in December, so to give it a fairer shake (to ease my regret for not getting that refund if nothing else) I’ll probably check it out in the future after its had a little bit longer to mature. In fact, installing it to grab a few screenshots has already left me with a better impression than I had last time around, and viewing update notes leaves me believing that it’s still being improved and supported quite well. For now though, the game mostly serves to remind me that I’m still quite capable for falling victim to my own hype. I should really know better by now.

“Sandstorm’s damage model is quite brutal – a single direct hit pretty much takes care of things.”

Speaking of which, at around the same time I was randomly drawn to Conan Exiles. I honestly can’t tell you what it was that suddenly caused my interest to perk up, but I’ve always been a fan of Conan and I really liked the art style and overall conceit of the game. Seeing no real interest in playing this sort of game from any of my online crew, I generated a single player world and hopped in solo. For several intense days, including a couple of days during which I was stuck at home miserably sick, I was completely enthralled (*rim shot!*) but once I got the basic gameplay loop worked out, with a small but stable base of operations, and had seen a little bit of the world and what the game generally had to offer, I’d pretty much had my fill of what was increasingly becoming overly repetitive.

Despite abandoning the game pretty quickly, I actually really liked what I played. The graphics and overall design of the world were awesome, and the construction and tech trees were really cool. I admit, the world felt a little lonely when playing solo, but that’s on me more than the developers since it’s clearly designed to be played online. Honestly, I can easily imagine this being a game I’d have totally fallen in love with if I had played it online with a group of friends on an active, highly competitive server, not unlike the experiences I’d described in the past about my brief but memorable time with Rust (though with perhaps even more nudity!) Really, in so many ways, Conan Exiles is basically just a version of Rust with more polish and a setting that caters to my personal tastes a bit more, which is much more of a compliment than it probably sounds like it is.

“Religion and slaves, check. Game over?”

Likely, I’ll install Conan Exiles again at some point, though probably with some mods installed to make the grind of playing solo a little more tolerable, and if any of my friends ever show any interest in playing I’d jump at the opportunity to hop back in and reinstall it in a heartbeat.

Shifting over to console, I’d been tempted to look at Xbox Game Pass since I first heard about it. The original allure was unlimited access to all of Microsoft’s first party Xbox One titles, which is fairly compelling in and of itself, but they’ve continued to add more and more great content to the subscription. Of course, they cycle it in AND back out from time to time, and they don’t really announce how often things get removed, so it’s a little hard to judge exactly what else you’re getting access to at any point in the future. Even still, as long as there’s at least a couple of games you intend on playing in the future, it feels like a no-brainer. I finally signed up and jumped into my first game not too long after, though I’m still working on that one so I’ll wait to talk more about it in my next one of these updates.

There are plenty of first party games I’m excited to play though: I want to get caught up on the Gears of War games, having enjoyed the first couple. I need to play Halo 5 finally, and also at least the first Halo Wars. State of Decay 2 is still looming large in my backlog too, and I’m sure there are many more. Being more than a little bit of a “patient gamer” I do find it disappointing to see some of the 3rd party games that originally convinced me to subscribe to Game Pass already leaving before I’d had a chance to play them, but I guess that’s just a part of the package.

“Insert corporate tagline here!”

Oh, and shortly after signing up Microsoft announced Xbox Game Pass Ultimate which is more or less just a combination of Xbox Live Gold and Xbox Game Pass. Even more of a no-brainer! Plus they’ve cleverly tried to tempt us to switch our accounts over by combining remaining Xbox Gold and Xbox Game Pass time for Ultimate credit. This lead to a lot of people scheming to buy up as much Xbox Gold and Xbox Game Pass time as they could before switching over to take full advantage of the generous conversion policy. A huge win for Microsoft, as they’re surely looking to lock more people into their ecosystem in advance of the release of the next Xbox console (currently dubbed Project Scarlett) in 2020.

“Traversing the ruins of our childhoods…”

One game I did complete thanks to Game Pass is The Gardens Between. I hadn’t heard of this little indie gem at all until it appeared on The Computer Game Show podcast, where it unexpectedly ended up stealing their 2018 game of the year spot. I was already intrigued by the discussion and the fact that it was supposedly a relatively quick play, but then to find out I already had it on Game Pass? Sold!

The game’s first impression, with its vibrant, whimsical, and slightly cartoony art style, is definitely very positive, but indie games with brilliant graphics are (awesomely) becoming less and less of a standout quality these days. More unique, The Gardens Between’s gameplay is something else entirely. First, despite how it might appear from screenshots and videos, this game is a puzzle game first and foremost. Your two characters automatically traverse a series of small, surrealistic stages somewhat akin to an “auto-runner”. They’ll run into obstacles of various types while trying to reach the end of the stage and your role is to try to figure out how to get them around those obstacles – to solve the puzzle, in other words.

“Trickier than it looks, I promise!”

You don’t control your characters’ movements directly, rather your control comes from forwarding and rewinding time. I once heard someone describe this as being something like Braid minus the platforming which feels pretty apt. Even though your characters will follow the same path forward as long as possible, the obstacles in the world survive your time related antics which allows you to manipulate the environment around them. For example, one of your characters runs into a raised drawbridge where they get stuck but your other character ends up near a lever that lowers the bridge a little later. You then rewind time so that the first character can then cross the now lowered bridge. As you might imagine, these scenarios can get much, much more complicated, with you needing to carefully line up objects and movements typically quite a few times per stage, often taking some real lateral thinking. It can be a bit trial and error oriented too but given the ability to rewind time those “errors” are never really all that punitive.

There is also a narrative here. Involving childhood friendship, it clearly attempts to play on some fairly universal emotions. From some reviews and impressions I’ve heard from other people the game is plenty capable of really affecting you though beyond being overall fairly charming it didn’t quite pull my heartstrings in any major way. It did leave me wondering where it was going the entire time though which was interesting in a different way though. Still, all said and done, it was a great little game that I’d recommend if you need a palate cleanser between longer games or if you just love these sorts of odd puzzle games.

More soon!

The Gardens Between shots were stolen from Google Images.